{"title":"By Hand \u0026 By Heart","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMASH Gallery presents \u003c\/span\u003e\u003cspan\u003eBy Hand \u0026amp; By Heart\u003c\/span\u003e\u003cspan\u003e, a summer group exhibition bringing together eight artists working across painting, mixed media, fiber, and sculptural installation. United not by style but by process, each artist treats material not as a vehicle for image, but as the site where meaning is made. Their practices differ formally and conceptually, yet each understands that the act of making is inseparable from the work itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn the mid-twentieth century, influential art critic Clement Greenberg argued that painting should pursue the qualities unique to its medium. Its defining condition was flatness: the canvas should acknowledge itself as a surface rather than aspire to sculpture or illusion. Those ideas reshaped the course of modern art, establishing medium specificity as one of its central principles. \u003c\/span\u003e\u003cspan\u003eBy Hand \u0026amp; By Heart\u003c\/span\u003e\u003cspan\u003e belongs to a different moment. Here, painting extends into relief, fiber occupies space with the authority of sculpture, and material is no longer confined by disciplinary boundaries. The question is no longer what a medium ought to be, but what it is capable of becoming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTexture is never decorative. Color is never incidental. Every mark, stitch, layer, and gesture records the presence of the hand, making the process inseparable from the finished work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe exhibition arrives at a moment increasingly shaped by frictionless digital production and automated image-making. Against that backdrop, the handmade asserts a different set of values that reward sustained attention. These artists ask viewers to encounter not only what has been made, but the labor, discipline, and intuition embedded within it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSpanning local, national, and international artists, \u003c\/span\u003e\u003cspan\u003eBy Hand \u0026amp; By Heart\u003c\/span\u003e\u003cspan\u003e proposes that the future of material practice lies not in preserving historical distinctions between mediums, but in allowing those boundaries to remain fluid. What emerges is an exhibition grounded in touch, process, and physical presence, affirming that the hand remains one of the most expressive instruments available to contemporary art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"130-clay-dots-over-green-river","title":"130 Clay Dots Over Green River","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt first glance, Tina Bluefield’s \u003c\/span\u003e\u003cspan\u003eClay Dots Over Green River\u003c\/span\u003e\u003cspan\u003e appears deceptively simple: a luminous field of green punctuated by a measured constellation of pale, earthen dots. Yet beneath its quiet surface lies a sophisticated meditation on rhythm, perception, and material presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBluefield’s work engages a lineage that stretches from postwar Color Field painting to the serial structures of Minimalism, while maintaining a distinctly tactile and organic sensibility. The gridded arrangement of clay-like marks evokes the disciplined repetition of artists such as Agnes Martin, yet Bluefield departs from strict geometry through subtle irregularities that foreground the handmade and the human touch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe expansive green ground functions less as a backdrop than as an atmospheric space—suggestive of landscape, water, or memory. The scattered dots hover between object and symbol, creating a visual cadence that invites slow looking. Their repetition generates a contemplative tension between order and spontaneity, structure and intuition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRather than presenting a fixed image, \u003c\/span\u003e\u003cspan\u003eClay Dots Over Green River\u003c\/span\u003e\u003cspan\u003e unfolds as an experience of attention. The painting rewards sustained viewing, revealing nuanced shifts in tone, texture, and spatial depth. In this way, Bluefield transforms a restrained visual vocabulary into a poetic exploration of stillness, perception, and the enduring dialogue between nature and abstraction.\u003c\/span\u003e\u003c\/p\u003e","brand":"MASH Gallery","offers":[{"title":"Default Title","offer_id":54006736650604,"sku":null,"price":6900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/130ClayDotsOverGreenRiver.jpg?v=1784237189"},{"product_id":"night-lattice-1","title":"Night Lattice","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eNight Lattice\u003c\/span\u003e\u003cspan\u003e, Tina Bluefield transforms the familiar structure of the grid into something expansive and atmospheric. Layers of intersecting black lines traverse a luminous field of saturated blue, creating a framework that feels at once architectural and celestial. Scattered white specks animate the surface like stars, suggesting a night sky suspended within a carefully ordered system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe work engages a long tradition of grid-based abstraction, from Piet Mondrian’s search for universal harmony to Agnes Martin’s meditative linear compositions. Yet Bluefield’s grid is neither rigid nor mechanical. The hand-drawn lines vary in density and rhythm, creating subtle shifts that prevent the composition from settling into perfect symmetry. The result is a structure that feels alive rather than fixed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhat distinguishes \u003c\/span\u003e\u003cspan\u003eNight Lattice\u003c\/span\u003e\u003cspan\u003e is the interplay between order and infinity. The grid provides a sense of measure and containment, while the atmospheric blue field and constellation-like markings evoke boundless space. The painting invites viewers to move between these two readings—seeing it alternately as a map, a woven structure, an architectural plan, or a view into the cosmos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRather than asserting certainty, Bluefield presents the grid as a tool for contemplation, suggesting that systems of order are not opposites of mystery, but frameworks through which we attempt to understand it.\u003c\/span\u003e\u003c\/p\u003e","brand":"MASH Gallery","offers":[{"title":"Default Title","offer_id":54006745858412,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/NightLattice.jpg?v=1784237158"},{"product_id":"effervescent-squares","title":"Effervescent Squares","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEffervescent Squares\u003c\/span\u003e\u003cspan\u003e exemplifies Tina Bluefield’s ability to create visual complexity through a highly restrained formal language. Composed of hand-painted white squares that shift from dense accumulation to airy dispersion, the work suggests a movement from solidity toward openness. The composition reads simultaneously as a landscape, a crowd, and an abstract field, resisting any singular interpretation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBluefield’s use of repetition places her in conversation with postwar abstraction, particularly artists who explored serial forms as a means of examining perception and space. Yet unlike the cool precision associated with Minimalism, her marks retain an unmistakably human quality. Each square is slightly irregular, allowing the painting to oscillate between order and improvisation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe stark contrast between black and white heightens the work’s optical presence, creating a sense of vibration across the surface. As forms diminish in scale and disperse toward the upper register, the composition opens into a broader meditation on transformation, collective movement, and the relationship between individual elements and the larger whole.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThrough modest means, Bluefield constructs a work that is both formally rigorous and unexpectedly poetic.\u003c\/span\u003e\u003c\/p\u003e","brand":"MASH Gallery","offers":[{"title":"Default Title","offer_id":54006763946348,"sku":null,"price":6800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/EffervescentSquares.jpg?v=1784237111"},{"product_id":"six-snowballs-on-black","title":"Six Snowballs on Black","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eSix Snowballs on Black\u003c\/span\u003e\u003cspan\u003e, Tina Bluefield distills her visual language to its essential elements: shape, scale, and contrast. Six luminous circular forms occupy the canvas with a quiet monumentality, their soft edges dissolving into a dark ground that both contains and activates the composition. The result is a work that feels simultaneously structured and atmospheric.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe painting recalls the legacy of geometric abstraction, from the reductive forms of Kazimir Malevich to the perceptual investigations of mid-century painters who explored the emotional potential of simple shapes. Yet Bluefield’s circles resist the hard-edged precision often associated with these traditions. Their subtly irregular contours and hazy boundaries reveal the hand of the artist, lending the work a sense of warmth and presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRather than functioning as fixed objects, the forms seem to hover between materiality and light. The tension between repetition and variation gives the composition its energy, encouraging the viewer to notice the nuanced relationships among the six forms. Through a restrained vocabulary, Bluefield creates a painting that is both visually direct and richly contemplative, demonstrating how abstraction can evoke a profound sense of balance, stillness, and spatial awareness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tina Bluefield","offers":[{"title":"Default Title","offer_id":54006782591340,"sku":null,"price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/SixSnowballsonBlack.jpg?v=1784237069"},{"product_id":"solstice-story-1","title":"Solstice Story","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eSolstice Story\u003c\/span\u003e\u003cspan\u003e, Tina Bluefield shifts away from the overt geometry that characterizes much of her work and embraces a more atmospheric mode of abstraction. Saturated fields of crimson, magenta, and violet unfold across the canvas, creating a sense of depth that feels both architectural and ephemeral. Linear marks and translucent passages emerge and recede within the composition, suggesting fragments of memory, movement, or notation rather than fixed forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe painting recalls the color-driven explorations of Color Field painters such as Mark Rothko and Helen Frankenthaler, while maintaining a distinctly personal vocabulary rooted in layering and gesture. Bluefield treats color not simply as a visual element but as a carrier of mood and experience. The dominant reds evoke warmth, intensity, and transition, qualities often associated with the solstice itself—a moment suspended between cycles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRather than offering a narrative in the traditional sense, \u003c\/span\u003e\u003cspan\u003eSolstice Story\u003c\/span\u003e\u003cspan\u003e functions as a visual record of passage. Its overlapping marks and shifting transparencies suggest traces left behind by time, inviting viewers to move through the work slowly and intuitively. The result is a painting that balances structure and atmosphere, transforming color into a space for reflection, memory, and contemplation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tina Bluefield","offers":[{"title":"Default Title","offer_id":54006801006956,"sku":null,"price":13000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/SolsticeStory.jpg?v=1784237027"},{"product_id":"spring-patterns","title":"Spring Patterns","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSpring Patterns\u003c\/span\u003e\u003cspan\u003e demonstrates Tina Bluefield’s fascination with the intersection of organic growth and ordered systems. Composed of hundreds of hand-painted oval forms arranged within a loosely structured grid, the painting evokes cellular structures, woven textiles, and botanical rhythms simultaneously. The repetition establishes a visual framework, while subtle shifts in color and density prevent the composition from settling into strict regularity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBluefield’s approach recalls the pattern-based investigations of artists associated with the Pattern and Decoration movement, as well as the serial structures of postwar abstraction. Yet her work remains firmly rooted in observation rather than pure geometry. The vibrant interplay of greens, teals, and luminous yellow passages suggests the emergence of light through foliage, transforming the grid into something distinctly alive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhat distinguishes \u003c\/span\u003e\u003cspan\u003eSpring Patterns\u003c\/span\u003e\u003cspan\u003e is its ability to oscillate between macro and micro perspectives. Viewed from a distance, the painting reads as a unified field of color and movement; up close, it reveals a complex network of individual marks, each carrying the trace of the artist’s hand. The result is a meditation on growth, interconnectedness, and the hidden structures that organize the natural world without diminishing its vitality or unpredictability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tina Bluefield","offers":[{"title":"Default Title","offer_id":54006837084524,"sku":null,"price":6800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/SpringPatternsLarge.jpg?v=1784236976"},{"product_id":"valentine","title":"Valentine","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eValentine\u003c\/span\u003e\u003cspan\u003e, Tina Bluefield demonstrates the expressive power of restraint. Composed almost entirely of layered reds and magentas, the painting dispenses with overt imagery in favor of a sustained exploration of color as atmosphere. Subtle shifts in tone and translucency animate the surface, revealing a complex structure beneath what initially appears to be a monochromatic field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe work belongs to a lineage of abstraction that includes Color Field painting and artists such as Mark Rothko, who understood color as an emotional and spatial force rather than a descriptive one. Bluefield extends this tradition through her own emphasis on layering and process, allowing traces of earlier passages to remain visible beneath the dominant hue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDespite its apparent simplicity, \u003c\/span\u003e\u003cspan\u003eValentine\u003c\/span\u003e\u003cspan\u003e rewards close viewing. Variations in saturation, texture, and luminosity create a slow visual rhythm that unfolds over time. The title inevitably evokes associations with love and intimacy, yet the painting avoids sentimentality. Instead, it presents color itself as a vehicle for contemplation, inviting viewers to experience red not as a symbol, but as a space—immersive, expansive, and quietly resonant.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tina Bluefield","offers":[{"title":"Default Title","offer_id":54006842098028,"sku":null,"price":6300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/ValentineLarge.jpg?v=1784236926"},{"product_id":"what-does-it-mean-to-be-free","title":"What Does It Mean to Be Free?","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eWhat Does It Mean to Be Free?\u003c\/span\u003e\u003cspan\u003e, Tina Bluefield merges abstraction and landscape to explore the relationship between place, memory, and personal autonomy. A mountain-like form hovers on the horizon, anchoring the composition within a terrain of layered fields, pathways, and symbolic markings. Rather than describing a specific location, Bluefield constructs a psychological landscape shaped as much by reflection and experience as by geography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe painting draws upon a long tradition of artists who have used the landscape as a metaphor for inner life, from the spiritual terrains of early modernism to the symbolic abstractions of contemporary painting. Here, geometric divisions and patterned surfaces suggest maps, cultivated land, or coded systems of knowledge, while the warm palette of ochres, reds, and golds evokes the expansive light of the American Southwest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhat makes the work particularly compelling is the tension between structure and openness. The segmented fields imply boundaries and organization, yet the distant horizon and luminous sky suggest possibility and movement beyond them. The title transforms the composition from a landscape into a philosophical inquiry, inviting viewers to consider freedom not as the absence of constraints, but as the ongoing negotiation between belonging, identity, and self-determination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThrough layered symbolism and a richly developed surface, Bluefield creates a work that is both deeply personal and universally resonant.\u003c\/span\u003e\u003c\/p\u003e","brand":"MASH Gallery","offers":[{"title":"Default Title","offer_id":54010029670764,"sku":null,"price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/WhatDoesItMeantoBeFree.jpg?v=1784236886"},{"product_id":"bliss-1","title":"Bliss #1","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePart of Thomas Piekunka’s ongoing \u003c\/span\u003e\u003cspan\u003eBliss\u003c\/span\u003e\u003cspan\u003e series, this work is inspired by Joseph Campbell’s simple yet challenging admonition: “Follow your bliss.” Through his signature freed painting technique, Piekunka transforms paint from a surface-bound medium into a suspended, immersive environment, allowing color and material to exist independently in space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eComposed of cascading strands layered with luminous blues, greens, and passages of golden yellow, the work evokes the sensation of moving through a dense landscape or shimmering curtain of light. As viewers shift their position, the composition continuously changes, revealing new relationships between transparency, color, and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePiekunka’s process challenges the traditional boundaries of painting while remaining deeply connected to its essential elements: color, gesture, and materiality. The liberated paint skins create a work that is simultaneously painting, sculpture, and spatial experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn the context of the \u003c\/span\u003e\u003cspan\u003eBliss\u003c\/span\u003e\u003cspan\u003e series, the work becomes a meditation on freedom—not as a destination, but as an ongoing act of discovery. Like Campbell’s philosophy, it invites viewers to trust intuition, embrace transformation, and remain open to the unexpected paths that lead toward fulfillment.\u003c\/span\u003e\u003c\/p\u003e","brand":"Thomas Piekunka","offers":[{"title":"Default Title","offer_id":54010040484204,"sku":null,"price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/Bliss_1Large.jpg?v=1784236855"},{"product_id":"bliss-4","title":"Bliss #4","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBliss\u003c\/span\u003e\u003cspan\u003e exemplifies Thomas Piekunka’s distinctive “freed painting” technique, a process that expands painting beyond the confines of the canvas. Layers of acrylic are built up, released from their support, and reassembled into a suspended composition that occupies space as both painting and sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eComposed of shimmering whites, pale lilacs, soft blues, and mint greens, the work creates an atmosphere of lightness and movement. The cascading strands form a translucent veil through which color, texture, and light interact, producing an experience that shifts as the viewer moves around it. Rather than presenting a fixed image, Piekunka invites a direct encounter with the material itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis practice engages a lineage of artists who challenged the traditional picture plane, yet his approach is uniquely focused on liberation rather than deconstruction. By freeing the painted surface from its support, he allows color and form to exist independently in space, transforming painting into an immersive environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eBliss\u003c\/span\u003e\u003cspan\u003e, material becomes metaphor. The work suggests transformation, release, and possibility, embodying Piekunka’s ongoing exploration of what painting can become when it is no longer bound by the limits of the canvas.\u003c\/span\u003e\u003c\/p\u003e","brand":"Thomas Piekunka","offers":[{"title":"Default Title","offer_id":54010099466604,"sku":null,"price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9985.jpg?v=1784930758"},{"product_id":"bliss-5-birds-in-flight","title":"Bliss #5, Birds in Flight","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work demonstrates the full expressive potential of Thomas Piekunka’s freed painting technique. Here, the liberated paint skins become a dense, cascading curtain of color, transforming painting from a static image into a vibrant, spatial experience. Suspended in hundreds of layered strands, the work occupies the space between painting, sculpture, and textile, challenging traditional distinctions between mediums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe extraordinary range of color—from electric blues and vivid oranges to deep violets, emerald greens, and metallic golds—creates a visual energy that is both exuberant and immersive. While abstract in form, the work evokes associations with waterfalls, celebratory streamers, dense vegetation, or even geological strata, allowing viewers to move fluidly between representation and pure sensation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePiekunka’s practice belongs to a broader history of artists who have expanded painting beyond the picture plane, yet his contribution is uniquely rooted in the physical liberation of paint itself. Rather than depicting movement, he allows movement to become an intrinsic part of the work’s structure, as the suspended elements respond subtly to light, air, and the viewer’s position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe result is an artwork that celebrates material transformation and chromatic abundance. What was once bound to a surface is released into space, creating a dynamic environment where color is no longer observed from a distance but encountered as a tangible, living presence.\u003c\/span\u003e\u003c\/p\u003e","brand":"Thomas Piekunka","offers":[{"title":"Default Title","offer_id":54010126074220,"sku":null,"price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A0030-2_Large_9b4f5d57-fb3f-4ed1-a14f-1cf0274d86bc.jpg?v=1784930875"},{"product_id":"clown","title":"Clown","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eClown\u003c\/span\u003e\u003cspan\u003e, Thomas Piekunka transforms painting into an immersive sculptural experience through his signature free painting technique. Cascading strands of black and white paint form a rhythmic framework, punctuated by vibrant bursts of neon pink, orange, yellow, green, blue, and violet that animate the work with exuberant energy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe title references the Koshare figures of Native American tradition; sacred clowns and trickster beings who impart wisdom through humor, paradox, and unconventional behavior. Often associated with the raven, a symbol of intelligence and transformation, these figures challenge established norms in order to reveal deeper truths. Piekunka captures that spirit through a composition that embraces both playfulness and discipline.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBy liberating paint from the confines of the canvas, the artist allows color and material to occupy space directly. The result is a work that oscillates between painting, sculpture, and performance, inviting viewers to experience creativity as an act of freedom, surprise, and continual transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Thomas Piekunka","offers":[{"title":"Default Title","offer_id":54010159890796,"sku":null,"price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/Clown.png?v=1784236505"},{"product_id":"rapunzel","title":"Rapunzel","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInspired by the famous line from Grimm’s fairy tale; “Rapunzel, Rapunzel, let down your hair”, Thomas Piekunka reimagines the story through a contemporary lens. Rather than depicting a single cascade of golden hair, \u003c\/span\u003e\u003cspan\u003eRapunzel\u003c\/span\u003e\u003cspan\u003e presents an interwoven tapestry of colors and textures that reflect the diversity of human experience. Shades ranging from deep black and brown to auburn, blonde, silver, and copper evoke the many hair colors found across cultures and ethnicities around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCreated through Piekunka’s distinctive freed painting technique, the work transforms paint into a suspended, braided form that exists between painting, sculpture, and fiber art. The vertical strands descend gracefully before spreading outward at the base like roots, suggesting both connection and growth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBy expanding a familiar fairy tale beyond its traditional imagery, Piekunka introduces a more inclusive and universal symbolism. \u003c\/span\u003e\u003cspan\u003eRapunzel\u003c\/span\u003e\u003cspan\u003e becomes a celebration of individuality within collective humanity, reminding viewers that the stories we inherit can evolve to embrace a broader vision of identity, belonging, and shared experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MASH Gallery","offers":[{"title":"Default Title","offer_id":54010473218412,"sku":null,"price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/Rapunzel.png?v=1784236474"},{"product_id":"regenerate-art-ra1","title":"Regenerate Art (RA1)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eRegenerate Art (RA1)\u003c\/span\u003e\u003cspan\u003e, Diane Holland builds an image from images through layering paint, collage, photography, handwritten text, musical notation, and printed ephemera into a dense visual field that is simultaneously archive and painting. At the center stands Senator Dianne Feinstein, rendered in a high-contrast silhouette. She is a figure of clarity and gravity amid a swirling, fragmented world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe series title is a deliberate inversion. Where the Nazis branded the German Expressionists \u003c\/span\u003e\u003cspan\u003eEntartete Kunst\u003c\/span\u003e\u003cspan\u003e, or degenerate art, Holland reclaims that lineage, declaring it regenerate: alive, necessary, resistant. The compositional chaos surrounding Feinstein is not disorder but context. It is the upheaval of her era rendered in the visual language of the movement that understood upheaval best. Kirchner's fractured figures, Grosz's satirical collisions, Hannah Höch's photomontage practice all echo here, filtered through Holland's own decades-long inquiry into how media, memory, and image-making shape culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHolland, who trained at Immaculate Heart College under the influence of Sister Mary Corita Kent, has long worked as an intermedia artist, one for whom no single medium is sufficient to hold what she wants to say. \u003c\/span\u003e\u003cspan\u003eRA1\u003c\/span\u003e\u003cspan\u003e is her most politically explicit work to date: a portrait of public service framed as an act of cultural rescue, insisting that wise leadership and brave creativity are not separate impulses but the same one.\u003c\/span\u003e\u003c\/p\u003e","brand":"Diane Holland","offers":[{"title":"Default Title","offer_id":54010501005676,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A0033.jpg?v=1784931074"},{"product_id":"menstrua-daiquirius","title":"Menstrua Daiquirius","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this mixed-media assemblage, Aaron Sheppard constructs a fractured psychological landscape where personal mythology, cultural imagery, and material decay converge. Layers of broken architectural forms, found imagery, plaster-like surfaces, and glowing neon create a composition that feels simultaneously excavated and constructed, as though fragments of memory have been unearthed and reassembled into a new narrative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRecurring female figures occupy the work as symbols rather than portraits, embodying projections of desire, identity, vulnerability, and power. The illuminated heart-like neon form radiates from within the structure, acting as both beacon and wound—a persistent reminder of longing, attachment, and emotional exposure. Cracked surfaces and ruptured planes suggest the instability of memory itself, revealing how personal histories are continually shaped through reconstruction and revision.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrawing from traditions of assemblage, collage, and Neo-Dada, Sheppard transforms discarded materials and familiar imagery into a meditation on the fragmented nature of contemporary experience. 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Beneath the muted palette, fragments of imagery emerge only partially, suggesting memories, identities, or narratives that resist complete disclosure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA recurring concern in Sheppard’s practice is the way meaning is constructed through accumulation, erasure, and reconstruction. Here, the heavily worked surface functions like a palimpsest, where traces of previous states remain visible beneath successive layers. The subtle inclusion of dimensional elements disrupts the flatness of the picture plane, reinforcing the tension between image and object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe restrained palette of whites, creams, and pale greens lends the work an ethereal quality, while the drips and distressed textures introduce a sense of vulnerability and impermanence. 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Cascading forms and layered passages of paint evoke flowers, foliage, water, and light without settling into direct representation. Instead, the painting captures the sensation of being immersed within a living environment where growth, decay, and renewal occur simultaneously.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHopkins draws inspiration from the natural world, translating observed forms into fluid compositions that balance spontaneity with structure. Saturated magentas, turquoise blues, greens, and golden tones collide across the surface, creating moments of both harmony and disruption. 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Anchored by luminous fields of turquoise and deep blue, the painting unfolds as a dense ecosystem of botanical forms, gestures, and fragments that hover between abstraction and observation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHopkins draws inspiration from the natural world, not to depict it directly but to capture its rhythms and constant state of becoming. Leaves, blossoms, stems, and organic structures emerge and dissolve within a layered network of marks, creating a sense of movement that feels both spontaneous and deeply interconnected. The dominant blue serves as more than a backdrop; it functions as a unifying presence, holding together the painting’s abundance of color, form, and energy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRather than presenting nature as a fixed image, Hopkins reveals it as a living process. 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Interlocking shapes, sweeping lines, and translucent layers move across the canvas, generating a dynamic sense of balance between spontaneity and control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLiggins draws from traditions of postwar abstraction while maintaining a distinctly contemporary sensibility. Bold passages of yellow, blue, pink, red, and black interact through overlapping forms that suggest architectural structures, pathways, and imagined spaces without resolving into recognizable imagery. The composition invites viewers to navigate the painting intuitively, discovering shifting relationships between color, line, and form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe title, \u003c\/span\u003e\u003cspan\u003ePlay House #8\u003c\/span\u003e\u003cspan\u003e, hints at a space of invention and experimentation. Rather than depicting a literal environment, the work constructs a visual playground where movement, improvisation, and structure coexist. Through its energetic composition and luminous palette, the painting celebrates the act of creation itself, transforming abstract forms into a lively exploration of rhythm, space, and possibility.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anthony Liggins","offers":[{"title":"Default Title","offer_id":54010885144940,"sku":null,"price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/PlayHouse_8_b463f7e4-aa0f-417b-bf10-67bd14882d15.jpg?v=1784746782"},{"product_id":"composition-8","title":"Composition #8","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eComposition #8\u003c\/span\u003e\u003cspan\u003e lets its materials argue with each other. 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Grey stone spheres, banded wood discs, and lacquered black-and-white beads move in parallel tracks across a textile-patterned ground, counterpointed by an inset fretwork panel drawn from ancient wood. Two carved finials, one bone-white, one black, anchor the composition top and bottom, wrapped in bands of Japanese yarn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe work borrows its structure from tools of counting and prayer, objects built for repetition and touch, and turns that structure into a meditation on ritual itself. An abacus tallies sums; here it tallies something less measurable, the private, repeated acts through which meaning and devotion accrue over time. Each row reads as its own sequence of days, habits, or vows, distinct in material and cadence yet bound to the same frame. 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Vertical rivulets of paint fall the length of the canvas, some pooling into pale washes at the edges, others cutting straight through the swarm like rain through branches. The butterflies themselves seem caught mid-emergence, half formed, half dissolving back into the surface they rise from.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe painting continues Mashian's ongoing inquiry into transformation, using the butterfly as a recurring figure for change that is neither instant nor easy. 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The shapes read like aerial views of terrain, lakes and craters cut into a raised, contoured landmass, each pool a different depth and temperature within the same body. Long cotton fringe hangs from the lower edge, falling unevenly like runoff or roots reaching down from the form above.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTeslar\u003c\/span\u003e\u003cspan\u003e trades the architectural vocabulary of Senra's arch-and-block works for something closer to landscape, or even geology, mapping color as elevation and depth rather than containment. 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