{"title":"The Shape of Elsewhere - Virtual Gallery","description":"\u003cp\u003eThe 24 artworks featured in The Shape of Elsewhere 3D virtual exhibition at MASH Gallery.\u003c\/p\u003e","products":[{"product_id":"wallpaper-new-horizont","title":"Wallpaper New Horizon","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn Wallpaper - New Horizon, Brigitte Puschmann suspends a botanical suggestion inside a field of weather. Soft grays and lavenders drift across the surface like fog, and through them rise deep green blades, a flat green disc, and passages of pink and pale yellow that read as light rather than as objects. Nothing hardens into a plant, yet the presence of one is unmistakable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePuschmann came to painting full-time in 2024 after a career spent studying transformation inside large organizations, and that interest in how systems shift shapes her work. Here the composition is held together not by drawing but by pressure: the dark verticals brace the edges, the softer center keeps opening. Order and dissolution are given equal weight, and neither is allowed to win.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe title points to the paradox. Wallpaper implies a flat, repeating, decorative surface; Horizon implies distance and depth. The painting holds both at once, a pattern that will not stay flat and a landscape that will not resolve into one. This is the movement the artist describes as making the balance between stability and change visible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe result is a work built for sustained looking. Approached quickly it registers as atmosphere and color; held longer, it opens into structure, and the eye begins to travel through it rather than across it.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brigitte Puschmann","offers":[{"title":"Default Title","offer_id":54258351898988,"sku":"25-53891","price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A0171.jpg?v=1790282249"},{"product_id":"level-25","title":"Level 25","description":"\u003cp\u003e\u003cem\u003eLevel 25\u003c\/em\u003e builds a landscape out of folds. Broad planes of green and mauve turn and overlap across the canvas like torn paper, draped cloth, or geological strata, each one modeled with enough shading to suggest real volume while refusing to settle into any single identifiable form. Pale vertical passages run through the composition like light falling between trees.\u003c\/p\u003e\u003cp\u003ePuschmann's practice investigates change as a founding principle of both perception and reality, and this painting stages that idea directly. The folded planes read as a forest interior from one distance and as pure abstract geometry from another. The image reorganizes itself depending on where the viewer stands, which is the experience the artist is after.\u003c\/p\u003e\u003cp\u003eWhat holds the work together is the discipline of the palette. Cool greens are set against dusty rose and warm gray, a narrow range worked for maximum tonal variation. Because the color stays restrained, the folding and layering carry the whole drama of the painting, and the surface stays quiet even as the structure keeps shifting.\u003c\/p\u003e\u003cp\u003eThe effect is spatial rather than pictorial. \u003cem\u003eLevel 25\u003c\/em\u003e does not describe a place so much as construct one, and it invites the viewer to move inside a space that is continuously assembling and coming apart.\u003c\/p\u003e","brand":"Brigitte Puschmann","offers":[{"title":"Default Title","offer_id":54258464391532,"sku":"25-12773","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9957Large.jpg?v=1790282151"},{"product_id":"flora-level-25","title":"Flora Level 25","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFlora Level 25 unfolds as a vivid field of color, gesture, and shifting form. Sweeping teal shapes move through passages of orchid violet, lavender, soft white, and muted gray, creating a composition that feels at once botanical and abstract. Angular edges meet broad, fluid brushwork, while flashes of orange bring moments of unexpected intensity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe painting moves between structure and spontaneity. Forms overlap, fracture, and fold into one another, suggesting petals, leaves, and blades without settling into a recognizable species. Puschmann allows these botanical associations to surface and disappear, turning the flower into something sensed rather than depicted.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescribed by Puschmann as a visual field of perception, the work continually redirects the eye between areas of density and openness, softness and sharpness. Layered planes create a feeling of depth while exposed gestures preserve the immediacy of the painting process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe square format contains this movement without resolving it. Forms seem to rotate, intersect, and reassemble across the canvas, giving Flora Level 25 a sense of continuous transformation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brigitte Puschmann","offers":[{"title":"Default Title","offer_id":54258464424300,"sku":"25-06618","price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9839.jpg?v=1790282079"},{"product_id":"timeless","title":"Timeless","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTimeless is the most atmospheric painting in Puschmann's recent group. A wide field of smoke gray and warm white moves across two joined panels, and out of it emerge crimson and rose blooms, a ribbon of acid yellow, and dark passages that gather like shadow. The flowers are rendered, then allowed to dissolve back into the vapor around them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe diptych format matters, and the two panels are deliberately unequal. The seam therefore falls well left of center rather than dividing the work in half, and the composition crosses it as though it were not there. The image reads as continuous while the physical support insists on a break, and that tension between what is joined and what is divided runs through the painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePuschmann's stated subjects are transformation, spatial tension, and timelessness, and this work makes the case most directly. The blooms are caught mid-transition, neither opening nor decaying, held in a suspension that has no clear duration. Nothing in the painting fixes it to a season or an hour.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brigitte Puschmann","offers":[{"title":"Default Title","offer_id":54258464457068,"sku":"26-15433","price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9959Large.jpg?v=1790281969"},{"product_id":"infinity-stripes","title":"Infinity Stripes","description":"\u003cp\u003e\u003cem\u003eInfinity Stripes\u003c\/em\u003e is the hard-edge counterpart to Puschmann's atmospheric work, and it shows how far her interest in structure will go. Two wide horizontal bands, one saturated orange and one deep pink, cross a square canvas edged by vertical stripes of black, gray, orange and rose. Thin lines of blue and sage run along the meeting points like seams.\u003c\/p\u003e\u003cp\u003eThe precision here is not mechanical. Every band is graded from light to dark across its length, so the paint appears lit from within and the flat geometry acquires depth. The white rectangles left open at the center do not read as empty canvas but as illuminated space held between the bars.\u003c\/p\u003e\u003cp\u003eThe painting draws on the artist's training in interior design and her long study of how systems organize themselves, translating that into a composition where nothing is accidental. The stripes suggest an architecture, a woven textile, or a signal, and the work never commits to one reading over the others.\u003c\/p\u003e\u003cp\u003eThe title supplies the key. Because the bands run off all four edges, the structure implies continuation beyond the canvas, and the square becomes a window onto a pattern that has no stated end.\u003c\/p\u003e","brand":"Brigitte Puschmann","offers":[{"title":"Default Title","offer_id":54258466619756,"sku":"24-37384","price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9818.jpg?v=1790281894"},{"product_id":"182-rodeo-drive","title":"182 Rodeo Drive","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e182 Rodeo Drive leaves the rectangle behind. Grande paints on repurposed structured wooden boards cut into an irregular silhouette, so the work reads as an object on the wall rather than a window in it. Bands of cobalt and yellow trace the outer contour like enamel on a sign, and the shape itself carries as much meaning as the image inside it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWithin that shape, a classical marble bust with pink-tinted hair tips her head back beside a spray of red roses and an expanse of clear blue sky. The bust belongs to art history, the roses to romantic still life, the color scheme to advertising, and the title to Beverly Hills ideals of luxury. Grande lets all four operate at once.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the method the artist describes as leaning into art history rather than resisting it. Much has already been explored, so he remixes existing narratives and styles, anchored not by adherence to a single manner but by the presence of his own hand. The painting is knowing without being cynical, and the pleasure it takes in glamour is real.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe result is a work that behaves like signage and rewards like painting. Seen across a room it registers instantly as a graphic shape; up close it opens into carefully modeled marble, petal, and sky.\u003c\/span\u003e\u003c\/p\u003e","brand":"John Grande","offers":[{"title":"Default Title","offer_id":54258466816364,"sku":null,"price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/182RodeoDrive_bedaa3e2-29fb-4a79-8f60-dde5fc97c48c.png?v=1787931413"},{"product_id":"x","title":"X","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eX is Grande working at full atmospheric pitch. Blush pink, coral and gold wash across a field of aluminum-painted gray, and through that haze move crimson flowering branches, periwinkle ornamental scrollwork, and a single orange band that arcs across the lower half like a ramp or a length of ribbon. The aluminum ground shifts as the viewer moves, so the light in the painting is never fixed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe vocabulary is drawn from wallpaper, textile design, and Rococo decoration. The scrollwork motifs repeat like a pattern trying to assert itself, then get overrun by softer passages that have no edges at all. The picture keeps proposing an order and then relaxing it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThat contest between the drawn and the atmospheric is the substance of the work. The flowering branches are described with real precision, the clouds of color behind them with none, and the orange band cuts between the two registers as a piece of pure structure. Nothing in the composition is allowed to become background.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt six feet tall the painting operates at body scale, and the aluminum paint keeps it responsive to the room. It changes with the hour and the angle, which is exactly the instability the title leaves open.\u003c\/span\u003e\u003c\/p\u003e","brand":"John Grande","offers":[{"title":"Default Title","offer_id":54258466849132,"sku":null,"price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9953Large.jpg?v=1790281673"},{"product_id":"desire-despair","title":"Desire Despair","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesire Despair stacks a century of image-making into a single tall column. A monochrome film still of a woman's face sits at the top against gold foliate wallpaper; below her, embracing couples painted in warm flesh tones give way to a cool blue field where symmetrical inkblot forms open across the lower third. The words DESIRE and DESPAIR are lettered vertically through the middle in red and blue, each partly hidden by the figures they cross.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe support is unusual and deliberate. Oil on magnetic vinyl gives the work a commercial feel, closer to signage or display material than to traditional canvas, and that choice puts the painting in the same material world as the advertising imagery it draws from.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGrande has said nothing is off limits, and the painting proves it. Hollywood melodrama, Rorschach psychology, decorative gilt pattern, and hand-lettered typography are set into one another until the narrative collapses. The two words name emotions that mainstream romance keeps carefully separate, and the composition puts them on intersecting axes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eReading the painting requires moving the eye up and down rather than scanning across, which turns the viewing itself into a descent from the glamour at the top to the dissolution at the bottom.\u003c\/span\u003e\u003c\/p\u003e","brand":"John Grande","offers":[{"title":"Default Title","offer_id":54258466881900,"sku":null,"price":13000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9949.jpg?v=1790281557"},{"product_id":"plastic-dreams","title":"Plastic Dreams","description":"\u003cp\u003e\u003cem\u003ePlastic Dreams\u003c\/em\u003e is built the way a collage is built, but every element is painted. Upcycled boards are cut and layered into an irregular silhouette, and across those overlapping planes Grande assembles a woman's parted red lips, lit candles, a burst of red and yellow floral pattern, a figure with red hair, and a scatter of comic-book color. The panels sit at slightly different depths, so the work casts its own shadows.\u003c\/p\u003e\u003cp\u003eThe construction is the point. Rather than compose an image on a flat surface, Grande physically stacks fragments until the picture takes shape, which makes the layering of contemporary visual culture literal instead of metaphorical. Each board holds a different source and a different register of painting.\u003c\/p\u003e\u003cp\u003eThe subject is the promise that mass imagery makes and does not keep. Advertising close-ups, romance-comic figures, and devotional candlelight are given identical care and identical weight, and the title names the whole apparatus without moralizing about it. Grande's interest is in how these images actually feel, which is seductive.\u003c\/p\u003e\u003cp\u003eHung against a white wall the shaped edge does most of the work. The painting has no frame, no border, and no clear top or bottom, and it occupies the wall as a fragment of something larger that has been cut free.\u003c\/p\u003e","brand":"John Grande","offers":[{"title":"Default Title","offer_id":54258467078508,"sku":null,"price":12800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/PlasticDreams.jpg?v=1787931490"},{"product_id":"finding-light-panels-2-and-3","title":"Finding Light (Triptych)","description":"\u003cp dir=\"ltr\"\u003eFinding Light is O'Guinn at his most physical and his most expansive. Across three panels stretching fourteen feet, curtains of white and bone acrylic pour down the canvas in long vertical runs, pooling and thinning as gravity takes them. Beneath and through that veil a darker world persists: charcoal tangles of graphite and aerosol, olive greens, and passages of warm ochre that surface briefly before the drips close over them again.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe three panels work as a single continuous field. The first concentrates the falling paint into a dense wall, while the second and third open the rhythm outward, with heavy passages alternating against thinner, more translucent stretches. Read together, the eye travels the painting laterally, the way it would travel a treeline, and the drips build into something closer to weather than to marks on a surface.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eO'Guinn moved from photography to painting over the past decade, and he works from music and memory rather than observation. The imagery underneath is not quite legible and is not meant to be. Branches, undergrowth, rain and the low light of a Pacific Northwest forest are implied rather than depicted, filtered through the same haze that softens a memory. The title describes the process as much as the subject: the light in the painting has to be found through the layers, not applied on top of them.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAt this scale the work becomes environmental. Standing close, the drips exceed peripheral vision; from across a room, the composition resolves into structure, dark masses braced against falling white. O'Guinn describes what he is after as glimpses, raw moments that let one person recognize another's experience, and across three panels the painting earns that word.\u003cbr\u003eFinding Light is offered as a complete triptych. The work may also be acquired individually by panel or as a diptych; please contact the gallery for details.\u003cbr\u003e\u003c\/p\u003e","brand":"Mike O'Guinn","offers":[{"title":"Default Title","offer_id":54258467176812,"sku":null,"price":24000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9964.jpg?v=1790281155"},{"product_id":"aqueous-path","title":"Aqueous Path","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAqueous Path is the largest of O'Guinn's recent paintings. Diluted gesso runs the full height of the canvas in narrow parallel channels, bone white against a ground of charcoal and warm gray, until the surface reads as rainfall, as a stand of birch, or as interference across a broken signal. Near the center the veil thins and a knot of graphite and dark pigment breaks through.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe technique is what makes the painting hold the viewer’s eye. Gesso, thinned to the point of running, behaves less like paint than like water, and O'Guinn works with that behavior rather than against it, allowing gravity to determine the interval and weight of every line. The result is a rhythm no hand could plan and no hand could repeat. Stripped of color, the painting depends entirely on density, and the drama comes from where the curtain thickens and where it opens. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt seven feet by nearly eight, the work is architectural in scale. The vertical channels emphasize the height of the wall it hangs on, and the painting registers as a passage into depth rather than as a surface.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mike O'Guinn","offers":[{"title":"Default Title","offer_id":54258467242348,"sku":null,"price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9921_Large_4d4f9ab3-9abc-4873-94fd-faf04269e2e4.jpg?v=1790281014"},{"product_id":"valentine-lagoon","title":"Valentine Lagoon","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eValentine Lagoon submerges a garden. Berkowitz works oil wet into wet on linen so that blooms of magenta, cobalt, and ivory unfurl and blur at once, suspended in a deep green-gold water that occupies the whole canvas. Slender vines fall from the upper edge, and small points of white light scatter through the depths like bubbles or distant stars.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe handling is what carries the work. Because the paint is worked while still open, every flower dissolves at its own edges into the field around it, and the picture never separates into figure and ground. The forms are simultaneously arriving and disappearing, which is the state the whole painting stays in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBerkowitz's subjects are biophilia, femininity, and transformation, and her palette merges the romantic nostalgia of her London upbringing with the saturated glow of Los Angeles. Here that combination produces a lagoon that belongs to neither city and reads as remembered rather than observed, closer to the atmosphere of a dream than to any specific water.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rachel Berkowitz","offers":[{"title":"Default Title","offer_id":54258467504492,"sku":null,"price":5200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9833.jpg?v=1790282361"},{"product_id":"picnic-at-hollywood-forever","title":"Picnic at Hollywood Forever","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePicnic at Hollywood Forever transforms a familiar Los Angeles landmark into a lush, fluid dreamscape. A pale blue clearing opens at the center of a dense teal and rose landscape, surrounded by bending palms, flowering forms, and pale rectangular slabs whose inscriptions dissolve into delicate, illegible marks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBerkowitz draws on the unusual character of Hollywood Forever, a historic cemetery that is also a gathering place for film, music, and picnics. That coexistence gives the painting its particular atmosphere, where remembrance and everyday life occupy the same landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHer fluid handling of paint keeps the scene in constant motion. Palms sag into water, stone slips into vegetation, and recognizable forms emerge only to dissolve again. The landscape feels less observed than remembered, layered with fragments of place, sensation, and experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDespite its density, the painting carries an unexpected tenderness. The luminous center creates a sense of openness, while the surrounding abundance turns Hollywood Forever into something psychological and dreamlike, suspended somewhere between a real place and a memory of it.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rachel Berkowitz","offers":[{"title":"Default Title","offer_id":54258467701100,"sku":null,"price":6100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9825_Large_5542e138-ce8b-4d42-97fb-813bad717553.jpg?v=1790282429"},{"product_id":"pinterest-could-never","title":"Pinterest Could Never","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePinterest Could Never is the sunlit counterpart to Berkowitz's darker lagoons. Blush, cream, and apricot fill the canvas edge to edge, and through that warmth move mauve, sage, and gold blooms rendered in long liquid strokes. A pale drapery gathers along the top of the composition like a canopy, and fine tendrils drift across the surface as though caught in slow water.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe title names the platform that has trained a generation to expect flowers as photographed, cropped, and endlessly reproducible images, but then offers something a feed cannot deliver: paint that is still visibly wet in its decisions, with edges that blur because the brush was moving, not because a filter was applied.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe palette runs almost entirely warm, which gives the painting its particular light. Rather than illuminating the flowers from outside, the canvas appears lit from within, a quality Berkowitz associates with the atmospheric glow of Los Angeles set against the softer romanticism of London. There is no vase, no table, and no edge to the garden, and the viewer is placed inside it rather than in front of it.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rachel Berkowitz","offers":[{"title":"Default Title","offer_id":54258467733868,"sku":null,"price":7200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9845.jpg?v=1790282471"},{"product_id":"cross-currents","title":"Cross Currents","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCross Currents gathers five fractured figures at the edge of water. Engel paints each body convincingly, then interrupts it with rectangular blocks of dissonant color, so a shoulder gives way to a band of cobalt, a torso to a passage of ochre, a face to a wedge of pink and green. Behind them, a cloudbank, a dark treeline, and a strip of blue water frame the group.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe interruptions are structural rather than decorative. Engel builds each painting through cycles of layering, revision, and erasure, and the color blocks mark where one state of the image was overwritten by another. Earlier decisions stay visible on the surface, so the history of the painting remains part of what the viewer sees.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe figures are aware of being looked at. Two of them meet the viewer's eyes directly while the others turn away or fold into the group, and that mix of address and withdrawal keeps the scene from settling into a classical bathers composition. Bodies overlap so closely that where one ends and the next begins is truly uncertain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the threshold Engel describes as his real subject: the point at which a figure remains perceptible but starts to resist a single reading. Identity in these paintings is not a fixed thing being depicted but a process caught partway through.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mark Engel","offers":[{"title":"Default Title","offer_id":54258467766636,"sku":null,"price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9815_Large_f8434e4c-34bc-4f7e-ae90-25e224643eff.jpg?v=1790282706"},{"product_id":"beyond-the-horizon","title":"Beyond the Horizon","description":"\u003cp\u003e\u003cem\u003eBeyond the Horizon\u003c\/em\u003e is a portrait pushed to the edge of dissolution. A figure tilts their head back against a black ground, eyes lifted, while petals in cream, violet, coral and deep red crowd in from every side and settle across the face itself. A pale plane of blue and white cuts horizontally over the eyes like a mask, or like a fragment of sky that has drifted too close.\u003c\/p\u003e\u003cp\u003eThe face beneath is painted with warmth and specificity, which is what makes the interruptions land. Engel does not soften the figure into pattern; he renders it, then allows the surrounding world to overwrite parts of it. Petal and skin are given the same weight, so neither reads as the true surface.\u003c\/p\u003e\u003cp\u003eThe upward tilt of the head sets the emotional register. It is a posture of transport rather than distress, and the flowers gathering around the figure feel like something being received rather than something closing in. The horizon of the title is not in the picture, only implied by where the eyes are pointed.\u003c\/p\u003e\u003cp\u003eAgainst the black ground the color carries enormous force, and the composition holds the viewer at close range. The painting works as a portrait, as a study in fragmentation, and as an image of a self in the middle of becoming something else.\u003c\/p\u003e","brand":"Mark Engel","offers":[{"title":"Default Title","offer_id":54258467799404,"sku":null,"price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9794.jpg?v=1790282634"},{"product_id":"crossing-point","title":"Crossing Point","description":"\u003cp\u003e\u003cem\u003eCrossing Point\u003c\/em\u003e sets three figures in motion across a landscape that keeps changing beneath them. Bodies overlap and interpenetrate, built from planes of pink, yellow, crimson and green that shift from one to the next without anatomical logic, so a leg carries the color of the field behind it and a back takes on the blue of the sky. Behind the group, a dark treeline, a mirrored lake, and a band of green meadow are laid in as flat horizontal registers.\u003c\/p\u003e\u003cp\u003eThe figures are walking, and Engel uses that motion to justify the fragmentation. A body in transit is never fully seen, and the painting builds each one from the partial views that movement allows. Limbs multiply where a stride has been recorded more than once, and the group reads as a single organism with too many legs.\u003c\/p\u003e\u003cp\u003eScattered dark spots fall across the whole surface like rain on a lens, sitting on top of both figure and landscape and flattening the distinction between them. They are the clearest sign that this is a constructed image rather than a scene observed.\u003c\/p\u003e\u003cp\u003eThe title names the moment Engel returns to throughout his work: the point at which a body passes from one state, one place, or one identity into another, and is briefly legible as both.\u003c\/p\u003e","brand":"Mark Engel","offers":[{"title":"Default Title","offer_id":54258468028780,"sku":null,"price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9807.jpg?v=1790280587"},{"product_id":"procession","title":"Procession","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eProcession is the most theatrical painting in Engel's group. Four figures move through a red-brown riverbed under a blue sky banked with clouds, their bodies painted in hot pink, cobalt, crimson and yellow. One figure's torso opens into an actual cloudbank, sky where a chest should be; another carries a skull at the hip; a third lies inverted at the lower edge with a pink wrap around the head and a yellow bloom in hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe composition borrows the structure of a classical frieze and then breaks it. The figures are arranged in a shallow band across the picture plane the way a procession would be, but their scale, orientation, and coloring refuse to agree, and the one lying upside down turns the whole reading of the ground on its head.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe skull and the flower are the oldest pairing in painting, and Engel places them without ceremony among bodies that are already half landscape. Sky, water, forest and flesh trade places continuously, so mortality reads less as an event in the painting than as one of the materials it is made from.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mark Engel","offers":[{"title":"Default Title","offer_id":54258468061548,"sku":null,"price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9811Large.jpg?v=1790282585"},{"product_id":"echo-chamber","title":"Echo Chamber","description":"\u003cp\u003e\u003cem\u003eEcho Chamber\u003c\/em\u003e closes in. The canvas is filled almost entirely by a head tipped back and a pair of hands bringing a striped, glossy vessel to the mouth, the object banded in blue, yellow, red and white like hard candy or glazed ceramic. Around the central action, planes of magenta, emerald, orange and cobalt fold across one another, and a strip of gray sky opens at the upper right.\u003c\/p\u003e\u003cp\u003eThe horizontal format and the cropping give the painting its intensity. Nothing is held at a comfortable distance; the figure's throat, jaw and hands press against the picture edges, and the viewer is placed close enough to be implicated in the act rather than observing it.\u003c\/p\u003e\u003cp\u003eAs in the rest of Engel's work, the body and its surroundings are made of the same substance. Fabric turns to sky, an arm becomes a band of orange, and the striped vessel repeats in the lower left as though the gesture has already happened once. That repetition is where the title lands.\u003c\/p\u003e\u003cp\u003eAt thirty by forty inches this is the most intimate work in the group, and the smaller scale concentrates the color rather than diluting it. The painting reads as a single held moment, amplified until it starts to reverberate.\u003c\/p\u003e","brand":"Mark Engel","offers":[{"title":"Default Title","offer_id":54258468127084,"sku":null,"price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9804.jpg?v=1790109073"},{"product_id":"held-in-the-clearing","title":"Held in the Clearing","description":"\u003cp dir=\"ltr\"\u003eHeld in the Clearing is built from fractured planes. Sharp shards of sage green, pale peach and blush pink break apart across a dark brown ground, folding and overlapping like torn paper, splintered wood, or the collapsing walls of a structure. Fine white lines cut diagonally through the composition, tying the fragments together even as they drift apart.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe title describes the painting's structure. Dense, dark passages crowd the edges, and at the center the pale planes open into a space of light, a clearing formed from the same broken pieces that surround it. The fragments seem to be falling and settling at once.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eEach plane is carefully shaded, so the shards read as having real volume and angle. The effect is architectural and spatial, and the canvas feels like a view into a place being assembled and taken apart in the same moment.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe restrained palette gives the work a quiet tension. Soft greens and warm flesh tones keep the violence of the fragmentation gentle, and the painting holds its energy in suspension rather than letting it explode.\u003c\/p\u003e","brand":"Itaewon","offers":[{"title":"Default Title","offer_id":54485274755436,"sku":null,"price":5400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9932.jpg?v=1790195116"},{"product_id":"afterglow","title":"Afterglow","description":"\u003cp dir=\"ltr\"\u003eAfterglow translates a sunset into architecture. At over seven feet tall, the canvas is filled with hard-edged geometric planes, many with clipped, beveled corners, layered in a smooth gradient that moves from cream, peach and golden yellow at the top through hot pink and crimson to plum and near-black at the base.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe color follows the logic of the title. The upper half holds the last of the light, pale and luminous, while the lower half has sunk into the deep reds and violets of dusk. A horizon of dense, overlapping forms runs across the middle, where the two registers meet and the planes crowd most tightly together.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe shapes suggest a city seen at the end of the day, a circuit board, or the facets of a crystal, without settling on any of them. Each plane is rendered with smooth, even gradients, which gives the surface a polished, almost digital glow while the paint itself remains unmistakably hand-applied.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAt this scale the painting becomes immersive. The viewer stands inside the warm field of color rather than looking at it, held in the brief moment after the sun has gone down.\u003c\/p\u003e","brand":"Itaewon","offers":[{"title":"Default Title","offer_id":54485275246956,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9955_1_2244x2848_96faaf4e-5112-4bfa-acf1-620a48ffbf80.jpg?v=1790195515"},{"product_id":"majorelle-flight","title":"Majorelle Flight","description":"\u003cp dir=\"ltr\"\u003eMajorelle Flight takes its color from the intense cobalt blue of the Jardin Majorelle in Marrakech. The square canvas is saturated with it, layered in shades of cornflower, periwinkle and white, and built into a heavily textured surface of drips, ridges and raised impasto that runs vertically like rain on a wall.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAcross that field, butterflies rise and scatter. Some are small and jewel-toned, in teal, violet, navy and silver; others are large and pale, raised in relief so they appear only when light crosses the surface. The result is a cloud of wings moving at different depths, some sharp and present, others half-dissolved into the blue.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMineral pigment gives the color its density. The blues have a chalky, luminous quality that shifts with the light, and the thick texture catches shadows so the surface changes over the course of the day.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe painting brings together garden, architecture and flight. It evokes the cool shade of a walled courtyard and the movement of butterflies through it, turning a specific place into a sensation of color and lightness.\u003c\/p\u003e","brand":"Haleh Mashian","offers":[{"title":"Default Title","offer_id":54485422309740,"sku":null,"price":6800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9938_1.jpg?v=1790195945"},{"product_id":"saffron-mirage","title":"Saffron Mirage","description":"\u003cp dir=\"ltr\"\u003eSaffron Mirage is a field of burning gold. The square canvas is saturated in saffron and deep orange, and its surface is worked into a crackled, carved texture where incised lines form a geometric lattice reminiscent of Moroccan tilework. Embossed into that surface are large butterflies and radiating sun medallions, visible more through relief than through color.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eScattered across the gold, smaller butterflies in teal, rust and deep brown provide points of contrast. The larger forms, painted in the same tone as the ground, seem to appear and disappear depending on the light, which gives the work its sense of mirage: an image shimmering at the edge of visibility.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMineral pigment deepens the color and gives it an almost earthen weight, like spice or sunbaked clay. The cracks and ridges of the surface suggest age and weather, so the painting feels at once freshly bright and historically layered.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe combination of pattern, relief and heat evokes a desert courtyard at midday, where light is so strong that forms begin to waver. The eye keeps discovering new wings and medallions hidden in the texture.\u003c\/p\u003e","brand":"Haleh Mashian","offers":[{"title":"Default Title","offer_id":54485424210284,"sku":null,"price":6800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9935_1.jpg?v=1790196246"},{"product_id":"marrakesh-dream","title":"Marrakesh Dream","description":"\u003cp dir=\"ltr\"\u003eMarrakesh Dream is the most animated of the three works. A ground of coral, rose and terracotta runs down the canvas in vertical drips and streaks, with flashes of yellow and deep red breaking through, and across it swarm dozens of butterflies in teal, emerald, navy, magenta, pink and white.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe butterflies gather most densely toward the center and upper half, as if caught mid-flight in a single rising movement. Many are built up in thick impasto, standing out in relief from the surface, while others are painted flat and seem to fade into the warm ground. The variation in texture creates a sense of depth and constant motion.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe palette draws on the warm earth tones associated with Marrakech, its terracotta walls and spice markets, and the cooler jewel tones of the butterflies stand out vividly against it. Mineral pigment gives the reds a dusty richness that changes with the light.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe title frames the painting as something remembered or imagined rather than observed. It is less a picture of a city than a feeling of one: warm, crowded, colorful and full of movement.\u003c\/p\u003e","brand":"Haleh Mashian","offers":[{"title":"Default Title","offer_id":54485428109676,"sku":null,"price":6800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/9023\/6012\/files\/0H9A9937-2_1.jpg?v=1790196450"}],"url":"https:\/\/www.mashgallery.com\/collections\/the-shape-of-elsewhere-virtual-gallery.oembed","provider":"MASH Gallery","version":"1.0","type":"link"}