INCARNADINE: Curated by Mat Gleason
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Aaron AxelrodMermaid Vomit #10, 2018archival photograph print
40.5 x 28.5 inCourtesy of Mash GalleryCopyright The Artist -
Haleh MashianJeweled Red Tears, 2018mixed media on wood panel72 x 72 in
182.9 x 182.9 cmCourtesy of Mash GalleryCopyright The Artist -
Haleh MashianTears of Joy, 2018mixed media on panel60 x 60 in
152.4 x 152.4 cmCourtesy of Mash GalleryCopyright The Artist -
Peter AlexanderLocus, 1992lithograph on black paper, Ed. 37 / 100
signed/numbered/dated in silver inkEdition of 100Courtesy of Mash GalleryCopyright The Artist -
Aliza BejaranoShadow or Progress, 2018oil and mock resin on canvas16 x 20 in
40.6 x 50.8 cmCourtesy of Mash GalleryCopyright The Artist -
Rouzanna BerberianHow Flexible Are Your Circuits, 2018acrylic gold & oil on canvas24 x 72 in
61 x 182.9 cmCourtesy of Mash GalleryCopyright The Artist -
Dwora FriedBig Red Riding Hood, 2018mixed media assemblage8" x 12" x 3.5"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Ginger LaiUntitled, 2018mixed media on canvas24" x 36"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
John McCrackenUntitled , 1983mixed media sculpture, original artists frame31 ½ x 24
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Andy MosesMorphology 224, 2016acrylic on lucite panel20" x 20"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Ed MosesRed over Goldacrylic on canvas24" x 30"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Oscar NavaStill Clyfford, 2018mixed media sculpture16" x 30" x 16"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Loren PhilipBefore All This, 2018Acrylic / Enamel on Canvas72" x 72"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Loren PhilipRed Over Gold, 2018Acrylic/Enamel on CanvasFinancing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist
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Sandy RodriguezPronostico Ventura, 2018acrylic on canvas24" x 36"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Ed RuschaMade in California, 1971Lithograph, Ed 30 / 100 Original Artist's Frame30 ¼" x 20 ½"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Melinda R. SmithMy Aim in True, 2017acrylic on canvas42" x 60"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Charles SwensonSoldier #2, 3, 4, 5, 2018oil on canvas4" x 6" each
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Brian TuckerNo, You're Not Angry, You're Just Tired, 1993acrylic and silkscreen on wood36" x 80"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Tyler WaxmanUntitled , 2018glazed ceramic sculptures, dims varnish9" x 10" 7"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist -
Eric ZammittMoroccan Rain, 2015plexiglass91 ½" x 41 ½"
Financing available upon enquiry.Courtesy of Mash GalleryCopyright The Artist
INCARNADINE
in·car·na·dine
inˈkärnədīn/
adjective
of a red color.
noun
a red color.
verb
color (something) red.
Will all great Neptune’s ocean wash this blood
Clean from my hand? No, this my hand will rather
The multitudinous seas incarnadine,
Making the green one red.
-Macbeth, Act 2 Scene 2
There is a scene in Macbeth where the title character cuts his hand and muses that were he to dip it into the ocean, might he make the whole sea turn red? Such is the pretense of any painter approaching a blank surface when their brush is soaked heavy with a color in the range of red. From orange to purple with all the crimsons and pinks in between, red is the color that best substantiates the artist’s assertive nature and transubstantiates energy into rendered form. To incarnadine a canvas or object is to tame the energy around us all into a pulsating frozen harness. This exhibit includes a cross section of Southern California artists united by their use of red yet oppositional in many regards: famous and unknown, female and male, privileged and political, alive and dead, formal and subjective, related and hermetic, figurative and abstract... but all present here, harmonizing in their use of the color of blood, lava, wine, and fire.
—Mat Gleason, curator of INCARNADINE
