Á GOGO III Exhibition IN COLLABORATION WITH THE PACIFIC DESIGN CENTER A Brush With Beauty There’s Pain In Beauty Never Felt Like I Fit In
Haleh Mashian
40 x 60″
Mixed Media on Canvas
In “Rolling Surge”, Haleh Mashian captures the unrelenting force and hypnotic beauty of the sea, transforming the canvas into an electrifying display of movement, texture, and raw energy. The composition undulates with deep blues, iridescent greens, and shimmering silvers, pulsating with the fluid vitality of an ocean caught between turbulence and tranquility.
The textured surface mimics the dynamic crests and troughs of water, interacting with light in a way that evokes sunlit waves and the ever-changing nature of the sea. Metallic and pearlescent accents enhance the illusion of fluidity, making the painting appear as if it could spill beyond the edges of the canvas.
At the core of “Rolling Surge” is a compelling duality—a visual meditation on the ocean’s eternal cycle of creation and destruction. The waves, frozen in perpetual flux, symbolize the ceaseless rhythms of time, nature, and renewal. The painting immerses the viewer in an elemental experience, offering a visceral yet contemplative encounter with the raw power of water.
For collectors and admirers of contemporary abstract art, “Rolling Surge” is a striking embodiment of modern expressionism, texture-driven painting, and dynamic color interplay. This piece is a testament to Mashian’s masterful fusion of fine art and tactile energy, making it an ideal centerpiece for any luxury interior, high-end gallery, or modern art collection.
Haleh Mashian
72 x 72″
Mixed Media on Canvas
Haleh Mashian’s “Moulin Rouge” is a bold and immersive composition that creates a hypnotic sense of movement and depth. Rendered in rich shades of crimson, magenta, and fiery orange, the trees appear both familiar and surreal, transforming a traditional woodland scene into a pulsating, dreamlike landscape.
Mashian’s signature layered textures and expressive brushwork infuse the painting with an almost tactile quality, as if the surface itself breathes with the energy of the forest. The interplay of light and shadow, achieved through subtle variations in tone and texture, evokes a dynamic atmosphere—at once fiery and mysterious.
The title “Moulin Rouge” suggests a connection to the vibrancy, passion, and theatricality of its namesake, reinforcing the idea that this is no ordinary forest, but one alive with drama and movement. The contrast between the warm, glowing hues of the trees and the dark, enigmatic background enhances the painting’s depth, drawing viewers into an otherworldly space where nature and abstraction collide.
For those drawn to contemporary art that merges bold color palettes, expressive abstraction, and a dynamic sense of movement, Moulin Rouge stands as a testament to Mashian’s ability to transform traditional landscapes into electrifying visual experiences. It is a piece that commands attention, making it an ideal focal point in any modern art collection, luxury interior, or high-end gallery setting.
Jason Jenn
40 X 30″
Mixed media on canvas, acrylic paint, colored pencil, watercolor, mud, natural roots, twine, glue, cardboard mache, glitter.
The composition is divided between two worlds—the upper realm, where a child rests peacefully against a sunlit field, and the subterranean domain, where a radiant, pulsating form resembling both a human heart and a growing root takes center stage. This juxtaposition symbolizes the hidden processes of growth, renewal, and internal awakening, reinforcing the idea that the most profound transformations occur beneath the surface, unseen yet inevitable.
Beneath the child, the earth is rendered with intricate layers of organic material—roots, worms, and sedimentary striations—creating a textured, almost sculptural presence. The heavy impasto and mixed-media approach enhance the depth and materiality of the underground, mirroring the complexity of personal and spiritual growth. Decay, renewal, and the cycles of life are intricately woven into the composition, reminding the viewer of nature’s constant evolution and its parallels to human development.
At the core of the subterranean world, a hand-like form emerges, glowing with an iridescent spectrum of colors, radiating from a deep red center. This vibrant energy contrasts sharply with the earthy surroundings, symbolizing awakening, inner vitality, and the anticipation of personal emergence. The dynamic interplay between the child above—symbolizing innocence, potential, and receptivity—and the rooted energy below—representing wisdom, resilience, and life’s unseen currents—creates a visual and conceptual tension that encourages contemplation.
Jenn’s masterful use of color, texture, and abstraction transcends mere representation, evoking an emotional response linked to memory, personal growth, and the cyclical rhythms of nature. The child’s posture—calm, attuned, and deeply connected to the earth—reinforces the idea that listening inward, to oneself and to nature, is the key to transformation.
Maico Camilo
30.91 × 26.38″
Oil on canvas
In “Contemplation”, the artist constructs a turbulent yet structured composition, where geometry and raw expression collide in a visceral dialogue between order and chaos, cognition and instinct. This abstract work pulsates with electric dynamism, as bold geometric structures intersect with expressive, gestural brushwork, evoking a sense of mental flux and restless introspection.
At the center, a colossal eye-like form looms within a swirling, multicolored vortex, its relentless gaze acting as both an anchor and an enigma. This central motif—encased in thick, black contours—seems to embody the very act of introspection itself, reinforcing the painting’s meditation on self-awareness, perception, and psychological depth.
Vivid contrasts between icy blues, fiery reds, and searing oranges carve out architectural planes, yet these rigid structures are continually disrupted by hurried, gestural marks—scratches of raw pigment and spontaneous strokes of texture. This interplay of control and chaos mirrors the nature of contemplation, where the mind oscillates between clarity and disarray, between structure and dissolution.
Hints of industrial motifs—coil-like spirals, fragmented scaffolding, and erratic circuitry—infuse the composition with an undercurrent of mechanized precision, suggesting a tension between organic thought and calculated design. The fragmented layering of these elements introduces a sense of erosion and reconstruction, as though ideas and perceptions are in a constant state of disintegration and renewal.
By blending the unrestrained emotion of Abstract Expressionism with the structured logic of Constructivist design, “Contemplation” becomes more than just an image—it is a psychological excavation, a restless interrogation of perception, consciousness, and the fluid nature of thought itself.
Thomas Piekunka
72 x 144
Blobs of paint.
“Gorman Bloom” is a vibrant, expressive celebration of nature’s dynamic energy, capturing the unrestrained beauty of wildflowers in full bloom. This painting conveys a deeper narrative about growth, impermanence, and the cycles of nature. It is both a celebration of the present moment and a meditation on the inevitability of change. The sheer scale and intensity of the work invite contemplation, urging the viewer to reflect on the boundless, ever-evolving energy of the natural world.
The painting explodes with rich hues of green, orange, yellow, and violet, creating a kaleidoscopic landscape that evokes the wild, untamed essence of a blooming meadow. The interplay of these colors, blending seamlessly yet chaotically, mirrors the randomness and harmony inherent in the natural world, reminiscent of abstract expressionism. The transitions of color shift across the canvas—from deep purples and fiery oranges to luminous golden yellows—suggesting changing light, shifting seasons, and the transient beauty of life itself. The artist’s layering technique creates a multidimensional quality, making colors appear to float, blend, and evolve, drawing the viewer deeper into the painting’s immersive field.
“Gorman Bloom” becomes an invitation to embrace the wild, unpredictable beauty of life, where chaos and harmony dance in unison, creating a symphony of color, movement, and transformation.
Joanna Pilarczyk
39 × 39″
Oil and Acrylic on Canvas
In “Tender in Red,” the artist captures a moment of pure intimacy, where bodies entwine in an embrace that is both tender and urgent, vulnerable yet unwavering. The composition radiates heat and emotion, enveloping the viewer in a symphony of rich, saturated hues, where love is not only seen but felt through the dynamic interplay of color and form.
Through bold color blocking and gestural brushstrokes, the lovers’ forms emerge in fluid motion, their contours blurring the boundaries between physical and emotional immersion. Their faces, nestled together, convey an unspoken understanding, while the surrounding explosion of pattern and hue amplifies the depth of their surrender. The artist masterfully wields deep blues and fiery reds, crafting a visual contrast that underscores the interplay of passion and serenity, urgency and stillness.
Nature itself seems to fold around them, lush and unrestrained, reinforcing a sense of wholeness and unity between the figures and their environment. The painting sways between abstraction and figuration, suggesting movement, as if this embrace is not merely a moment in time but an eternal rhythm—a universal dance of love, trust, and connection.
Ivo Vergara
70 X 65″
Oil Paint
Ivo Vergara’s work is a mesmerizing fusion of organic fluidity and structured abstraction, a dreamlike interplay of color, form, and movement. This particular piece transports viewers into a surreal landscape where the natural world and abstract geometry coexist in a delicate, harmonious balance.
The composition is a dynamic explosion of colors—fiery reds, deep blues, and golden yellows melt into soft pastels, creating an ethereal atmosphere that suggests both terrestrial and celestial realms. Vergara’s brushwork is both controlled and expressive, seamlessly blending elements that resemble cloud formations, coral reefs, and geological formations with geometric, almost architectural motifs. The intricate, layered details in the painting evoke a sense of depth and weightlessness, as though the forms are in constant motion, shifting between solidity and dissolution.
At the center of the composition, a series of interconnected abstract shapes, rendered in warm neutral tones, appear to emerge from or dissolve into the surrounding environment. These forms, reminiscent of fragmented sculptures or biomorphic figures, suggest transformation— perhaps a meditation on the intersection of humanity and nature, or the fluid boundaries between reality and imagination.
Vergara’s use of negative space is equally compelling, as the light blue sky-like voids give the piece an airy openness, allowing the viewer’s eye to travel freely across the composition. This interplay of density and emptiness heightens the painting’s surreal quality, as if the entire scene exists within a liminal space between dream and reality.
Annie Darling
40×40″
Acrylic Paint
In “We Long to Kiss the Ground,” the artist orchestrates a symphony of color, texture, and atmospheric depth, inviting the viewer into a landscape that feels both ethereal and deeply rooted in the earth’s rhythms. With a masterful command of abstraction, the composition unfolds as a meditative study of space, light, and organic movement, blurring the lines between landscape painting and emotional experience.
The canvas is divided into distinct yet harmoniously interconnected planes. The upper register, rendered in a pale, textured expanse, suggests an infinite sky—a celestial weightlessness that contrasts beautifully with the richness of the terrain below. Just beneath it, a stark, almost calligraphic line of vertical forms emerges, reminiscent of distant trees or the skeletal remains of a forest consumed by time and memory. Their delicate yet assertive presence adds an element of quiet tension, a reminder of both resilience and fragility in the natural world.
The horizon line—marked by a striking band of cool turquoise—serves as both a boundary and a bridge, a liminal space that separates yet unites the celestial and terrestrial realms. Beneath it, the painting erupts into an opulent field of golden yellows, deep greens, and flickering bursts of vermilion and aqua, creating a sense of movement that mimics sun-drenched meadows swaying in a whispering breeze. The surface shimmers with layers of pigment, applied in a way that evokes both the organic randomness of nature and the meticulous structure of growth and decay.
Through a technique that feels both spontaneous and deliberate, the artist transforms texture into sensation, pigment into memory, and abstraction into a deeply personal dialogue with the land. The vertical drips and cascading patterns suggest a longing for connection—a pull toward the earth, toward grounding, toward something elemental and eternal.
Arthur Brouthers
24 x 23″
Acrylic, ink, spray paint & resin on wood
“Realization” is a fusion of photography and expressive abstraction, where the human figure transcends its physical form, becoming a canvas for metamorphosis and self-discovery. The subject’s poised yet introspective stance suggests a moment of profound revelation, her gaze lifted beyond the frame, as if perceiving a reality beyond the material world.
The artist masterfully disrupts the monochrome serenity of the portrait, introducing molten streaks of color and splattered pigments that course across the figure’s form. This dynamic interplay between controlled precision and unrestrained movement generates a palpable tension—a visual representation of identity dissolving, transforming, and evolving into something ethereal. The vibrant striations flowing across the subject’s body suggest a shedding of layers, an embrace of energy, and a state of transcendence.
Set against a deep black void, the luminous pigments appear almost cosmic, reinforcing the sense that the subject exists in a liminal space—part human, part dream, part raw emotion. The contrast between photographic realism and painterly abstraction heightens the work’s sensory and philosophical impact, inviting the viewer into an introspective journey of transformation and awakening.
While the composition exudes an undeniable sensuality, it transcends physical beauty, evolving into a meditation on consciousness, self-awareness, and the impermanence of form. The work’s interplay between presence and dissolution challenges the viewer to consider the fluidity of identity and the limitless potential of artistic fusion.
Odysseus Krum
55 x 67″
Oil on Canvas
In “The Gambler,” Odysseus Krum crafts a mesmerizing surrealist painting that blurs the boundaries between reality, illusion, and chance. This dynamic composition immerses the viewer in a symbolic exploration of risk, strategy, and the psychological tension between control and chaos, inviting interpretations that resonate with both the art world and philosophical thought.
At the core of this visually arresting surrealist artwork, an oversized, spectral hand clutches a cluster of billiard balls, their reflective surfaces glistening with potential energy and inevitable consequence. Detached from any visible figure, the hand becomes an allegory for manipulation, destiny, and the unseen forces that govern life’s unpredictable nature. This central motif immediately evokes themes of gambling, decision-making, and the fine line between mastery and luck.
Surrounding this focal point, abstract distortions of a billiard table dissolve into fluid, dreamlike forms. The traditional structure of the game is disrupted and warped, emphasizing the fragile nature of order and precision in a world dictated by randomness. A sharp, golden blade slicing through the upper quadrant introduces an ominous element, contrasting with the organic, textured decay of a disembodied hand below—perhaps symbolizing sacrifice, ambition, or the high stakes of risk-taking.
In the lower left quadrant, a circular frame encloses a veiled, ghostly figure, whose gaze is turned away from the turmoil. This spectral presence exudes a sense of contemplation, regret, or the existential weight of choices made and paths taken. The juxtaposition of bold, vibrant hues with spectral, ethereal tones heightens the painting’s psychological depth, reinforcing its exploration of fate, free will, and the human tendency to wager everything on the unknown.
Through Krum’s masterful use of surrealist abstraction, vivid color palettes, and symbolic distortion, “The Gambler” transcends mere artistic representation, evolving into a visual allegory for chance, consequence, and the intricate dance between destiny and self-determination. The painting’s compelling composition and rich thematic layers make it a powerful statement piece in contemporary surrealist art, resonating with collectors, art enthusiasts, and those drawn to the philosophy of risk and reward.
In the end, “The Gambler” does more than depict a game—it poses a question that lingers long after viewing: Are we the ones making the moves, or are we merely the pieces in someone else’s game?
Haleh Mashian
84 x 168″
Mixed media on canvas
In “Metallica II”, Mashian transforms the natural world into a prismatic dreamscape, reimagining an ordinary forest as a surreal, otherworldly spectacle. The verticality of the trees, reminiscent of birch or aspen, is fractured by a kaleidoscopic spectrum of color, where luminous hues of emerald, amethyst, tangerine, and violet cascade like liquid light. Against a shimmering, silver-dusted background, the composition exudes a celestial radiance, existing in a space between the ethereal and the tangible.
The interplay of color and texture is striking—the metallic undertones lend a reflective, almost iridescent quality, making the landscape feel as if it is illuminated from within. The forest floor, dusted with subtle sparkle, enhances the sense of enchantment, evoking an untouched, almost sacred realm beyond time. The rhythmic repetition of slender trunks draws the eye upward, creating a sensation of endless depth and movement, as if the entire scene is in perpetual transformation.
More than a landscape, “Metallica II” is a meditation on perception, challenging the viewer to see beyond the familiar and into the extraordinary. By electrifying the natural world with an otherworldly palette, the artist invites a reexamination of what is real, what is imagined, and where the two converge. The result is a forest that pulses with energy, mystery, and an undeniable sense of transcendence, inviting the viewer to lose themselves in nature’s infinite vibrancy.
Stay up to date with our latest news, events, and exhibitions!
We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.
