Maico Camilo Contemplation My Wonderful Self (Yellow) My Wonderful Self (Black) Biography Maico Camilo, born in Brazil in 1982, made the decision to leave his
Maico Camilo
66.93 × 70.87″
Acrylic paint
In “My Wonderful Self (BLACK)”, the artist unleashes a carnival of raw emotion and frenetic energy, where instinct triumphs over convention, and selfhood manifests as a vibrant, unfiltered spectacle. This Neo-Expressionist and Art Brut-inspired composition pulses with life, embracing spontaneous mark-making and the primal urgency of street art and graffiti culture.
Against a deep black void, a kaleidoscopic ensemble of characters erupts, their exaggerated features—wide, staring eyes, gaping mouths, and erratic linework—transforming into visceral totems of emotion. The neon palette—electric pinks, blues, yellows, and greens—radiates against the darkness, heightening the painting’s sense of movement, chaos, and celebration. The work is alive, its very essence laughing, shouting, and reveling in its own existence.
At the center, a larger-than-life duo crowned with radiant halos of yellow appears to orchestrate the surrounding chaos, their gaze piercing through the viewer with an unsettling yet captivating mix of innocence and mania. Around them, smaller, cartoonish entities multiply like subconscious fragments—playful spirits of creativity running wild across the canvas.
The composition thrives on the tension between densely packed imagery and negative space, refusing stillness and embodying identity as an ever-evolving, ever-multiplying force. It is a self-portrait in perpetual flux, a visual manifestation of the inner dialogue between joy, chaos, and uncontainable creative spirit. This work is as much an exploration of personal mythology as it is a reflection of the collective human psyche—untamed, expressive, and brimming with exuberance.
With “My Wonderful Self (BLACK),” the artist does not seek to refine but to release—to shatter the constraints of convention and invite the viewer into an unfiltered, ecstatic explosion of self-expression.
Maico Camilo
30.91 × 26.38″
Oil on canvas
In “Contemplation”, the artist constructs a turbulent yet structured composition, where geometry and raw expression collide in a visceral dialogue between order and chaos, cognition and instinct. This abstract work pulsates with electric dynamism, as bold geometric structures intersect with expressive, gestural brushwork, evoking a sense of mental flux and restless introspection.
At the center, a colossal eye-like form looms within a swirling, multicolored vortex, its relentless gaze acting as both an anchor and an enigma. This central motif—encased in thick, black contours—seems to embody the very act of introspection itself, reinforcing the painting’s meditation on self-awareness, perception, and psychological depth.
Vivid contrasts between icy blues, fiery reds, and searing oranges carve out architectural planes, yet these rigid structures are continually disrupted by hurried, gestural marks—scratches of raw pigment and spontaneous strokes of texture. This interplay of control and chaos mirrors the nature of contemplation, where the mind oscillates between clarity and disarray, between structure and dissolution.
Hints of industrial motifs—coil-like spirals, fragmented scaffolding, and erratic circuitry—infuse the composition with an undercurrent of mechanized precision, suggesting a tension between organic thought and calculated design. The fragmented layering of these elements introduces a sense of erosion and reconstruction, as though ideas and perceptions are in a constant state of disintegration and renewal.
By blending the unrestrained emotion of Abstract Expressionism with the structured logic of Constructivist design, “Contemplation” becomes more than just an image—it is a psychological excavation, a restless interrogation of perception, consciousness, and the fluid nature of thought itself.
Maico Camilo
66.93 in × 70.87″
Acrylic paint
In “My Wonderful Self (YELLOW),” the artist ignites the canvas with an uncontainable force of color, movement, and raw emotion, crafting a work that vibrates with electric intensity. This Neo-Expressionist fusion of abstract portraiture and urban iconography recalls the uninhibited energy of Jean-Michel Basquiat and the primal urgency of Art Brut, where selfhood is deconstructed and reassembled in a riotous, visual symphony.
At the heart of the composition, a crowned figure emerges—an electrified monarch of imagination, its neon-rimmed eyes wide with surreal bewilderment, its exaggerated mouth frozen in an ecstatic proclamation. Surrounding this central presence, a chaotic court of expressive, gestural beings competes for attention, their eyes bulging, mouths agape, each form pulsating with its own frenetic energy.
The unrelenting yellow backdrop intensifies the painting’s dynamism, providing a stark, almost blinding contrast to the wild symphony of electric blues, fiery reds, and neon greens that course through the composition. The layering of distorted faces and tangled lines suggests a mind in perpetual motion—a relentless stream of thoughts, emotions, and identities colliding and coexisting in brilliant disarray.
Yet beneath the jubilant, almost chaotic facade, there is a deeper introspection. The work oscillates between order and disorder, joy and anxiety, personal mythology and universal human expression. The artist tears open the psyche and spills it onto the canvas, embracing the raw, unfiltered nature of self-exploration.
Á GOGO III Exhibition IN COLLABORATION WITH THE PACIFIC DESIGN CENTER A Brush With Beauty There’s Pain In Beauty Never Felt Like I Fit In
MASH GALLERY © Copyright 2024
Stay up to date with our latest news, events, and exhibitions!
We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.
