I’m Comfortable

Ivan Madrigal

39 x 51″

Oil on spatula and brush, in cotton fabric

Ivan Madrigal’s “I’m Comfortable” is a daring fusion of classical portraiture, pop surrealism, and visceral abstraction, where art history and contemporary satire collide in a chaotic, yet deliberate, act of visual rebellion. Inspired by the great reclining nudes of Western art—most notably Titian’s Venus of Urbino or Manet’s Olympia—Madrigal subverts the genre by replacing the subject’s face with a Playmobil-like toy figure, transforming a symbol of sensuality into an unsettling yet humorous emblem of mass-produced nostalgia and depersonalization.

The composition is split between control and chaos. The upper portion of the canvas, with its serene green gradient, recalls the soft, atmospheric backgrounds of classical painting. Yet, as the eye moves downward, the scene erupts into a maelstrom of aggressive impasto, splattered paint, and near-violent texture. The rich fabrics and delicate flesh that traditionally define reclining nudes are obliterated in a storm of abstraction, where deep blues, fiery reds, and tangled strokes suggest both opulence and destruction.

Madrigal’s use of textural layering and expressive mark-making forces the viewer to question what is being preserved and what is being erased – is this an act of deconstruction, mockery, or reverence? Madrigal offers no easy answers, leaving the viewer in a state of both amusement and unease.

“I’m Comfortable” is more than a playful visual gag—it is a bold critique of art history’s canons, the dilution of cultural icons, and the uneasy relationship between the past and the hyper-commercialized present.