Aaron Sheppard lives and works in Joshua Tree, California. His work speaks eloquently about constructing and projecting identity, religiosity, sexuality, and counterfactual historicism. His filter is the culture’s love of fame and/or pornography, mixed with the romance and perversion of classical allegorical portraiture. His lavish materiality finds a narrative function for neon light tubes, thick heavy paint, and extreme mannerism in his mostly nude figures, forcing people to deal with the inconvenient object and not just the idea of it.